I grew up with MaximumRockNRoll. Whilst far too often wallowing in identity politic nihilism, it was a priceless resource for alt.culture in the pre-internet stone age. It kept many of us sane, providing endless resources to other folks like us cruelly separated by the tyranny of distance. The premier issue was July 1982 – which makes us scumfucs that remember pushing 50 and beyond. The age that we used to hate with a fearsome passion.
Central to MRR’s appeal was knowing you were not alone. That there were others on the planet that held the same contempt for what passed as pop culture of the time. For me personally, rock bottom was reached here, also in 1982 – ABC and Look of Love [masochists can click here]. I cannot articulate the despair that was evoked by this nothingness that was everywhere – every music teevee show, every commercial radio channel, every shopping mall, pub and club. Noxious, spotty teenagers pumping dimes in jukeboxes playing the same non-music, bubblegum garbage everywhere. There was no escape. But there was MRR – and it was a lifeline.
The most wonderful feature of MRR, and similar zines such as Metal Forces for the headbangers, was the personals section where folks would post real addresses for correspondence and, most importantly, cassette tape trading of music – very much the Napster of its day.
Most folks are familiar with Napster and how it was destroyed. The main driving force behind this stupidity was Metallica. And the biggest loudmouth was Lars Ulrich. In fact the pavement that was laid for all of today’s piracy hysteria from the MafIAA is Metallica’s direct legacy – a fact that should be remembered before even wasting a dime on a Metallica song on a jukebox.
Ulrich, of all people, should appreciate the importance of cultural exchange. It was after all what launched Metallica from LA’s underground metal scene and created the monster that has made him stinking rich. He should also be aware that MRR and its sister zines were also critical liberalising forces in general. Yet he consciously fucked this social environment for no other reason than greed. Ulrich, how the fuck do you think kids in Pakistan and Iran get music that is prohibited? Huh? Stealing is their only option. And this music sharing that you hate because it deprives you of nothing is an important link for social change in the muslim world, just as MRR was in challenging the derangements of Ronald Reagan. You fucking helped destroy this you shit-head.
Here are a couple of vids showing the depth of Ulrich’s hypocrisy. Evidently, piracy is OK as long as Ulrich is doing the stealing. Vids snatched from the highly recommended Metal Evolution series (even Daisy would approve of this series) –
October 15, 2012 at 7:02 pm
What is also “amusing” about Lars, he is a painfully average drummer. In fact I’d say below average, and he’s managed to become part of one of the biggest bands of all time. One a side note, please Metallica, stop.
November 25, 2012 at 9:39 pm
Franc,
First I would like to say how much I adore this blog and your articles.
Second, you brought back such memories of “cassette tape trading” of underground metal music. I miss those days sometimes. I made so many friends from around the world due to zines like Kerrang, MRR and others. It was a wonderful time to be a headbanger and discover new bands.
Lastly, Lars. Never liked him and thought his drumming was mediocre at best but when he pulled this crap about Napster, any sliver of respect I might have had for him or the band, was gone. I appreciate their contribution to metal with their first 3 albums but after that I felt they went downhill.
Speaking of people in Iran and countries of that nature where music like metal is illegal to buy but downloading is ok. A few years back I became friendly with a kid from Iran on a metal forum because he posted how he couldn’t get cd’s. I wound up buying him 6 metal cds after removing anything offensive, like the covers and sent them to him. Getting his email made the hassle of the post office all worthwhile.
Great article as always.
November 25, 2012 at 9:54 pm
There is little to be hopeful about in the mid-east, but Taqwacore is one of them. We know what massive social change music is capable of in the west, the hippies and punks being most prominent. It is probably the only thing capable of causing seismic type shifts within a generation in places like Pakistan. This doco is excellent –
http://www.taqwacore.com/
Yeah, encourage them by any means necessary, legal or not. It actually is a case of a greater good.
November 25, 2012 at 11:04 pm
I just read the site from the link you provided and the film sounds fascinating.
What made me buy this kid music was I couldn’t fathom not growing up without my album collection. Music is a huge part of me and my life and for this kid not have owned a cd was blasphemous in my opinion.
Thanks for the link.
February 28, 2013 at 5:39 pm
I used to hang out (live) at The Stone in SF (rip, now a strip clup). I remember James and Lars peddling their music in front of the club longing for success. A lot of good metal bands never got the breaks that Metallica did and I think its fucked that when they did make it those days of struggling seemed to be forgotten. They should have been thankful cause there was a time when they would have given their shit away to get where they were. Fucking greed. I have a funny story about Cliff Burton asking my girlfriend out on a date I’ll have to tell you sometime Franc
July 4, 2014 at 10:35 pm
Belinda Broido
Have Some Metal Up Your Ass Ulrich | grey lining